A Review of Batia Donner’s Book on Nathan Rapoport
Lights of Sabbath:Rimma Bobova’s Candlestick Collection
“The Expressive Hostility of Moritz Oppenheim,“Year Book Leo Baeck Institute, Volume 61, Issue 1, November 2016, Pages 137–161
“A Jewish Art,” in Milin Havivin 7 (2014)
“Of Provenance and Providence: On the Reappearance of David Playing the Harp for Saul by
Moritz Oppenheim,” Ars Judaica 7:2011, pp. 123-136.
“Facing west, Turning South,” Jerusalem Report, February 18, 2008, p. 43.
“Seeing is Understanding,” Jerusalem Report, August 20, 2007, p. 42.
“Depictions of King David in Jewish Art” in Jewish Culture,
Publication of the Ministry of Education, 273, Iyar 5767 (2007), pp. 11-12,(Hebrew quarterly).
“‘Joy and Gladness, Happy Festivals for the House of Judah’
A Unique Parokhet from Alessandria della Paglia,” Ars Judaica 2:2006, pp. 151-162.
“Pri Yadeha (The Fruit of Her Hands),” in Timora: A Collection of articles on Jewish Art (Hebrew)
Bar-Ilan University. June 2006, pp. 73-80.
Research Editor, Private Tolkatchev at the Gates of Hell Majdanek
and Auschwitz Liberated, Yad Vashem: Jerusalem, 2005.
“The Fifth Column: Enemy Aliens in Great Britain,”
Yad Vashem Quarterly Magazine 27, Summer 2002.
“From Persecution to Mass Murder: An Artistic Illustration,”
Yad Vashem Quarterly Magazine 22, Spring 2001.
“The Marginal Images of a Marginal People,” in Nurit Kenaan-Kadar
and Asher Ovadiah, eds. The Metamorphosis of Marginal Images
From Antiquity to Present Time Tel Aviv, 2001, pp.103-118.
“Italian Jewish Women as Creators of Ritual Art,” Motar 5:1997, pp. 97-102 (Hebrew).